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              It is fundamental 
                to search for the perfect musical chord and the homogeneity in 
                the timbre of voice among the va- rious components in concerts 
                of three-four-five-six-eight bells and more; 
              this is the 
                more important the greater is the number of bells. Innumerous 
                are the musical accords that may be obtai- ned, and time by time 
                our firm studies the characteristics of a concert that must suit 
                the requirements and the parti- cular taste of a place: Several 
                are also the methods of sound production with bells that swimg 
                more or less swiftily, by adopting different techniques in setting 
                the same bells on hubs or support stocks. 
               As we have 
                supplied bells all over Italy and the world we are in a position 
                to abtain all different methods of sound, always offering our 
                free advice when special circumstances require particular settlements. 
                With only the indication of the measures of the belfry, we build, 
                besides the concerto of bells, also the scaffolding in iron and 
                all fittings which, if sent abroad, find an easy setting with 
                pictures and explanations supplied by our firm.  
             
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              Our exportations have practically reached all countries: Great Britain, 
              Iceland, France, Germany, Austria, Jugosla- via, Spain, Greece, 
              Albany, Poland, Hungary, Russia, Mid- dle East, Yapan, China, India, 
              Philippines, North Africa, Central Africa, North America, Central 
              America, South America, Oceania. Numberless testimonials of praise, 
              merits and honours are the best guarantees for a definitely up-to-date 
              product.  
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             THE 25 BELLS 
              CONCERT IN "LA PLATA" CATHEDRAL. 
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             The 
            heigth of the bells, included the plait, is like the diameter of base. | 
         
       
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                   On 
                    a walnut board perfectly smooth is drawn the profile of the 
                    bell that is wanted. Measure and calculations concerning such 
                    design consti- tute the secret of the foundry handed down 
                    from generation to generation and continuously studied and 
                    modified accor- ding to the most modern requirements in order 
                    to obtain the best musical efficiency. The board drawn and 
                    sawn along the profile is called the model. The mould fexed 
                    suitably to an iron staff running on a gui- de that allows 
                    it a complete turn, gives the shape to the stamp constituted 
                    by refractory bricks tied together by a mixture of clay, water 
                    and other ingredients. In successive operation the mould is 
                    refined to precision and cooked with vegetable coal that allows 
                    it a slow exsicca- tion, without causing cracks in the clay. 
                    When the exact shape of the bell (in clay) is obtained ope- 
                    ratins continue with decoration of the mould with ornaments, 
                    sacred images and inscriptions, all in bee wax, obtained from 
                    artistic engreved tablets of the greatest value.  
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             The 
              mould so decorated is covered again with other layers of very pure 
              clay to form the external part for completion of the working. At 
              last, the mould in clay emptied internally of the thick- ness corresponding 
              to the bell, is laid in the ditch, where the casting will take place. 
              Succesive layers of ground are beaten around theh mould so as to 
              cover it and to keep it steady in order to avoid displa- cements 
              of the mould, caused by the weight of the cast bronze and the pressure 
              of gases.  
               
              Succesive layers of ground are beaten around theh mould so as to 
              cover it and to keep it steady in order to avoid displa- cements 
              of the mould, caused by the weight of the cast bronze and the pressure 
              of gases. The material, bronze, is chosen with scrupulous care for 
              the purity of the very fine alloy as the sound of a bell acqui- 
              res more or less value in timbre and in diffusiveness depen- dently 
              upon the quality of the same material. Another fundamental factor, 
              besides the particular mould of the bell (bendings and proportions 
              of thicknesses), is the com- bustible employed for the casting. 
               
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                      Our firm, in fact, employs well- seasoned beechwood because 
                      the flame is completely neu- tral in the combustion, and, 
                      therefore, it does not pollute the bronze, as it happens, 
                      on the contrary, with other burner com- bustibles, such 
                      as fuel oil, gas oil , etc. Of course what has been explained 
                      serves to give an ap- proximate idea of the system of manufacturing, 
                      which is rich of little thecnical espedients and fine points, 
                      acquired with experience.  
                   
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